Jump to content

Montblanc 342g


jde

Recommended Posts

I have long wanted to try a vintage Montblanc and the 342g seemed like a good entry-level fountain pen. I read a lot about the MB 342 here on FPN. It always seems to get praise but also is noted as being too small for most people. I bought this pen from Gary Lehrer (gopens.com) and it arrived promptly in Gary's usual sturdy packaging. Gary listed this pen as a 1951 model with a medium nib with flex.

 

Appearance & Design (9): This is a basic black pen with a conservative, simple design. The blue ink window gives this pen a little colorful flair. The first models of the 342 have an outline star on the cap instead of the white star logo. The outline was one of the reasons I chose this model. Being an economy model MB, the nib is understated with basic informative imprints: Montblanc 14C 585. The piston knob holds both the model number and the nib size: 3-42.G and KF.

http://i952.photobucket.com/albums/ae9/jdejh/Collection/twopmbs.jpg

Construction and Quality (9): There is nothing flimsy about this pen. It's acrylic with a clean blue ink window.

 

Weight and Dimensions (9): This pen is for those of us who like/need small, lightweight pens. The pen is similar in size to a 1950's Pelikan 400. The pen weighs 14 grams capped and un-inked. After inking the pen weighs 16 grams. Capped, the pen is 4 7/8" long. Unposted the pen is 4 ¼" nib to barrel end. If you must post it, the pen is 5 5/8" long.

http://i952.photobucket.com/albums/ae9/jdejh/Collection/sidebyside-1.jpg

 

Nib and Performance (9): The flexible nib is quite manageable for someone like me who is still unsure of flex. What I didn't know until I saw the nib was that it was a KF, Kugel Fine or ball-point nib. It's meant to write smoothly at various angles. I suppose it does… all I know it is a smooth, nice writer. Good, consistent ink-flow. However, when I first inked the pen no ink flowed at all. Then I remembered what eric47 suggests about vintage ebonite feeds needing some time to saturate. Knowing the pen had sat ununused for a very long time, I soaked the nib a bit, inked it up and laid it on its side overnight. It's been writing without any issue ever since. [Update: Gary suggests that dipping this pen in ink would have been enough to saturate the feed and that perhaps there was an air pocket that needed to work its way out. While there is no definitive answer, the good news is it has been performing perfectly since the initial balking.]

http://i952.photobucket.com/albums/ae9/jdejh/Collection/nibfront.jpg

Filling System and Maintenance (9): Piston-filling pen. Very easy to fill. Good ink capacity in a small pen. Similar to the 1950's Pelikan 400.

 

Cost and Value (9): I spent $150 for the pen from a trusted pen seller with a year's warranty. That was a reasonable price to me. Depending on where you look, you can find these pens for less or for much more. You takes your chances, folks. :happyberet:

 

Conclusion (9): The 342g is a great little vintage pen. It will serve its intended purpose: as a daily writer and for those times a discreet, basic black pen is desired when out in the world. Highly recommended!

 

Inked with Montblanc Bordeaux:

http://i952.photobucket.com/albums/ae9/jdejh/Collection/writingsamp.jpg

Edited by jde

...writing only requires focus, and something to write on. —John August

...and a pen that's comfortable in the hand.—moi

Link to comment
Share on other sites

  • Replies 5
  • Created
  • Last Reply

Top Posters In This Topic

  • piembi

    1

  • jde

    1

  • Bo Bo Olson

    1

  • handwriter

    1

Top Posters In This Topic

Nice review! Thank you!

 

I've begun to take an interest in vintage flex nibs so this might someday become an option.

 

Regards,

777

Need a pen repaired or a nib re-ground? I'd love to help you out.

FPN%252520banner.jpg

Colossians 3:17 - And whatever you do in word or deed, do all in the name of the Lord Jesus, giving thanks to God the Father through Him.

Link to comment
Share on other sites

Aw, that is a sweet lil' MB, Julie!

 

Ever since I've been using my Nakayas the most (but not exclusively), my comfort zone has shifted back to the smaller pens. Which means looking at the smaller pens I used to ignore and now I'm all *raises an eyebrow, thinks, "Oh really? Hm...*

 

But I've reinforced the Nakaya Shield, so I'm able to resist some similar MBs offered in the Marketplace despite your persuasive review (and the details of those other pens). AAAARGH! PENS! Why are they so beguiling?!

_________________

etherX in To Miasto

Fleekair <--French accent.

Link to comment
Share on other sites

Thanks for this nice review. The little 342 is worth it!

 

I have one with a M nib and another one with an OB nib. Both are some of my best nibs and I can highly recommend the 342 if one is looking for a nice entry level vintage MB.

Link to comment
Share on other sites

Great review, loved it, and it seems a great pen, glad to hear you're having fun with it, those flex nibs are reeeeeally fun aren't they.

A recent thread asks why buying vintage, I think a pen like this one is a good answer.

I though several times of buying this model or a close one (344...) from Gary, but always something Soennecken got in the way.

I'm a user, baby.

 

We love what we do not possess. Plato, probably about pens.

 

Link to comment
Share on other sites

I have a 234 1/2 Deluxe (52-55 only)a bit more off the 139 line in it's cap, than yours; which is more off the 146 line.

Mine is a KOB...and it is semi-flex.

I have a Geha 790 KM, which I like a lot too, in semi-flex.

 

From the writing, I believe yours could be semi-flex also.

 

I'm probably going to stick my foot in my mouth, but I don't know how much experience you have with flexible nibs or semi-flex nibs. You did not say.

 

If you do not have to worry about railroad tracks, it's semi-flex. If you have to worry about railroad tracks it's flexible.

 

I imagine you have to press "a bit" to get the tines to spread that much as you wrote. I do for semi-flex.

With F-1 flexible or maxi-semi-flex, you hardly have to press at all, but all you get is @ semi-flex spread.

Do you have any other flexible nibs? Or Semi-flex nibs?

 

I'd had about 18 pens with "semi-flex" nibs...two of them turned out to be F-1 flexible, or maxi-semi-flex. It had taken me a bit of time to realize exactly what I had. I'm some times slow off the starting blocks.

 

After I knew the difference between semi-flex and F-1. I laid my hands on two more F-1 nibs; knowing exactly what they were when I pressed them to my thumbnail.

As with a semi-flex to a regular nib, the flex of the tines is easier and the spread of the tines is deeper in the slit. Flexible flexes more and easy and the spread of the tines is deeper in the slit than a semi-flex.

 

Knowing what an F1 was like I knew immediately the broken pen in my hand had an F-2. I bought the nib knowing what I had.

 

 

If you have a flexible nib fine. Do go to www.richardspens.com/ , some one wrote an article for him, on how easy it is to spring a flexible nib.

 

 

In the '50s I read the MB nibs were the same, in the 1xx, 2xx and 3xx.

The 234 1/2 KOB is my favorite pen.

 

I post. I write forefinger up, and it nestles deep in the web of my thumb.

 

I wonder why everyone calls the Over sized pens ... normal and the normal pens small.

Posted my 234 1/2 is not a small pen at all, it is as large as a posted 400NN, which was the largest pen of the Pelikan line of the time.

The 146 of the '50's was a smaller pen than today. The 149 was considered a Big Pen.

The 234 1/2 is the same size as an Esterbrook DJ, which was a normal sized pen of it's day...not a small pen.

 

 

Ah, Ha...it's only a small pen to those who do not post it...

Edited by Bo Bo Olson

In reference to P. T. Barnum; to advise for free is foolish, ........busybodies are ill liked by both factions.

 

 

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33582
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26771
    5. jar
      jar
      26105
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...