One of the skills needed by those of us who aggressively hunt pens (which I do) is to recognize the "diamond in the rough". Think Paul has good chapter on this in his book, which I highly recommend.
So, when i spotted this 1930-ish Waterman 94 (one spot below the Patrician in Waterman's hierarchy at that time) in Mahagony celluloid, i saw the rough diamond. Good color without translucency or crazing. No cracks. No missing parts. Good imprint. seemingly unbrassed trim. Flexy Waterman "red" keyhole nib. Had plenty of schmutz in the trim, which appeared quite free of brassing and had the usual surface wear. Threads were caked with ink and the caked ink was catching on the cap threads. Diamond in the rough.
When Ron finished with it, it looked... like this. And, i suspect the pic looks less nice than the actual set. Ron does... grand work
regards
david
