This is a review of the Conway Stewart 100 number 15 of 471 in quartz blue with a medium nib. The 100 is available as either a cartridge/converter filler or a twist fill, which I suppose means captive converter. Mine uses the twist fill mechanism. Filling the pen requires removing the blind cap, which reveals a gold plated knob labeled + in one direction and in another. No doubt this is the end of the captive converter. Im not a fan of the captive converter mechanism but at least this one seems to hold a lot of ink and is elegantly implemented. My apologies to Conway Stewart if this pen is a true piston filler rather than a lesser captive converter. Regardless, there is no way to check the ink level in this pen.
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A deceptively large pen, the 100 sits well in the hand and is best balanced unposted due to its low weight. The flecked blue acrylic (plastic) is one of the nicest modern plastics that Ive seen and it really catches sunlight well. The material is almost vintage in color intensity, luster, and light catching ability with a distinctively modern feel and weight. Modern plastics keep getting better. Some have complained about the black cap jewel but this pen was designed to, and does, closely resemble a vintage Conway Stewart 58 lever-filler. Too bad this one does not feed by lever but it does have honest to goodness vintage good looks. The combination of size, weight, and nib performance make this a great writer suitable for long sessions. The construction is robust and the fit and finish is superb. There is a crisp, clean imprint (probably laser etched) and the wide 18 ct. cap band is hallmarked. The clip is a near exact copy of the vintage pen and is strong allowing for secure, well, clipping. Packaging is typical Conway Stewart. That is, nearly opulent and a tad excessive.
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Evidently, the 100 shares the same nib with the CS Churchill although it feels slightly different on the 100. It is smoother, which is notable since it is a medium and my Churchill has broad, and seems to be a little bit more flexy. A little bit of pressure doubles the line width produced by this pen. When compared to almost all other pens, I believe this nib qualifies as flexible although it is far from a wet noodle. Indeed, the nib the greatest strength of this pen (should this always be true?). It is smooth at a large variety of angles and never catches the paper no matter which direction the nib is moved. Ink delivery is no problem with this pen even after a day or two of inactivity. The feed supplies so much ink that this pen is definitely a wet writer, which no doubt contributes to its smoothness.
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So is this expensive pen worth the price of admission? Even at typical discounted online or brick and mortar prices the cost is well north of $350. Overall, Id say it is. Quality is first rate and the nib is sumptuous. Those, like me, who collect and admire vintage pens will find a lot to like about this modern pen. If you can, always test before you buy and you might just find a one with a nib as great as the one on my pen.