My wife, in her exceptional generosity and indisputable taste, decided to celebrate my 30th birthday with a gorgeous Italian fountain pen.
This is a pen I've been thinking about for a long time.
Last spring, we took a trip to Bittner's in Carmel in advance of our first wedding anniversary. We dipped a lot of pens, and the two clear winners for beauty and handling were the Aurora Optima and Visconti Van Gogh. Very different pens, each beautiful and temping in its own way. My wife chose to give me the mesmerizing blue Visconti for my anniversary gift, and it's held pride of place on my desk and in my heart since.
But the Aurora was still out there, waiting, singing its own unique song...

And here it is, home at last!
Appearance: Stunning! The marbled burgundy looks like celluloid, with deep iridescent reflections as it turns in the light. The white metal trim is cool and crisp, with a glittering cap band featuring AURORA and a bit of greek key. There's a vintage-style imprint in the barrel, and a classy black section, without trim ring, holds an white gold nib with a bit of an acquiline hook to it.
Handling: Perfect! It's a light pen, short when capped, but a touch thicker than my M800. I almost always prefer long pens, but somehow the Optima feels exactly right posted. Balance is just right. It's an exemplar of light pen handling.

Nib and Writing: Sporty! Mine has a medium nib, which offers moderate but consistent toothy feedback. Flow is moderate, so I'm sticking with smooth and wet inks like Waterman Blue/Black. A great writing experience, but quite different from a glassy Pelikan or springy Visconti.
For a brief writing sample, see this ink thread:
http://www.fountainpennetwork.com/forum/in...?showtopic=6528
Filling System: Extensive! Smooth piston filler, large clear ink-view window, and Aurora's unique "reservoir" make this a winner for large daily volumes of writing. As advertised, extending the piston when you run out of ink releases another few pages of ink. What's not so much fun is flushing it out between different inks; the reservoir likes to hold on to ink or water and dilute the next fill. I've decided, for now, to keep most of my pens paired consistently with one ink, and use a few of the C/C fillers (which are easier to flush) for experimentation.
Verdict: Superlative! Did I mention my wife's great taste? She doesn't see what I see in vintage American pens, but we're in jubilant agreement about modern Italian beauty.