QUOTE(HDoug @ May 17 2008, 12:51 AM) [snapback]613327[/snapback]
For what it's worth, shoulder writing although advocated by many able penmen, isn't a universally accepted method.
I keep shoulder and arm and everything very relaxed. Parts of my hand and forearm make contact with the paper or desk surface, but I don't "plant" anything on a surface. As long as I use a light touch and "skim" along, I'm okay.
I agree with Doug and his description of how he writes coincides with mine.
I think that the descriptive term "shoulder writing" is a bit misleading and can lead to a lot of frustration. Large lettering is naturally written with a still hand but the smaller lettering becomes, the more the hand and, inevitably, the fingers come into play to some extent. There is a happy medium, and I'm sure that the middle road works for most people. Doug put it very well.
The end result is what matters, and if you can write for a reasonable length of time without undue fatigue and tension, you should be able to forget about hand and arm position and concentrate on the formation of the lettering. Above all, don't get hung up on technique - if you enjoy your writing, the results will speak for themselves. I am convinced that the biggest obstacle to acquiring good handwriting is tension - in the hand, arm, shoulder, everywhere. Relaxation is the key. This is just a personal opinion, but it is based on many years of practicing writing.
Ken