I love flex nibs. It thrills me to watch as the line fattens while I curve my letter forms. There's something delightful about watching a down stroke spread wider and wider, and then return to thin as the stroke goes upward -- it's like some kind of sensual, grapho-porn, visual rollercoaster.
My Pelikan 800 has a John Mottishaw semi-flex (it's not really a true flex, but still pretty damn good) that I really enjoy, but I have been thinking about purchasing a Nakaya, and found myself considering either their medium soft flex nib -- and getting some work done to make it a flexible nib (as much as possible) -- or else going with one of their broad nibs and having it made into a cursive italic.
In the interests of science (I know, I know, I do need to get a life), I had Richard Binder make me up one of his .9mm cursive italic nibs. This is a little wider nib than I would normally use, but I wanted a significant disparity between the thicks and thins that would result from using it.
After less than 24 hours, I am torn between two loves. The feel of the flex nib is wonderful, umatched. The cursive italic lays down a little bigger line and looks wonderful. The thicks and thins, while uniform in a way that flex nibs are not, is nevertheless beautiful in its own right. My one complaint is the actual physical act of laying ink on to paper is not as pleasing as with a flex nib, but boy do I like the results afterwards.
Sign me, "Torn between two lovers."
I feel so dirty.