Jump to content

Edison Huron


jde

Recommended Posts

All IMHO...how can I rate it?

 

Background

The first Huron made from Yellowstone Acrylic, my pen is one of the handful of prototypes Brian sold before launching the Huron. I'm happy to write that on the Edison Pen website the Yellowstone material is offered as a standard choice for the Huron.

http://i952.photobucket.com/albums/ae9/jdejh/jdEdison.jpg

 

The catalyst for this pen purchase was the Yellowstone Acrylic material. Having seen an Edison Herald in the same material, I contacted Brian Gray to ask about a custom pen. I shared my concerns about Edison pens being too large for my small hand, and told him about the types of pens I was using. As luck would have it he was working on the prototype of what would become the Huron, a somewhat thinner pen with a more tapered section than his other pens. When I saw the photos of the ebonite prototype I was sold.

 

Ultimately I wanted to use this pen as an eyedropper. At the time I ordered this pen, Brian was not yet offering a piston filling option other than on the Brockton LE. I ordered the premium converter as a backup filling plan.

 

Appearance and Design

The pen is beautiful. I once posted that the acrylic has a wonderful depth to it “It's gold and yellow and caramel and green-but-not-really-green-but-yellow. When I look at it, I feel like I'm standing creek side watching the pebbles underneath the water.”

 

The pen is clipless by my choice (thanks again to Brian’s patience!). The pen looks great with a clip too.

 

The nib is a single-tone yellow 18K nib. Again, personal preference there with the single-tone nib. Brian offers a variety of nib options. The nib is imprinted with Brian’s logo. I felt if I was going so far to have a customized pen it should have the Edison logo. (The steel nib does not come with the Edison logo as of this writing.)

 

On the barrel is a simple, tiny imprint on two lines: Edison Pen Co., 2009. Because the pen is a prototype there is no “Huron” imprinted on it. The imprint is so small as to be almost unnoticeable on the barrel.

 

The cap seems quite long and that is my only not-very-serious grievance with the pen. It could be a tad shorter and still have plenty of room for the nib.

http://i952.photobucket.com/albums/ae9/jdejh/jdEdison2.jpg

 

Dimensions

Length 5.75" - 14.6 cm

Length Uncapped 5 .125" – 13 cm

Length Posted 7.4” – 18.8 cm

Diameter .550" – 1.4 cm

Diameter of Cap .610” – 1.5 cm

 

(For size comparison with a Bexley Submariner see my "first impressions" post.)

Size compared to a Visconti Ragtime:

http://i952.photobucket.com/albums/ae9/jdejh/edisoncaravel3.jpg

 

 

Pen Weight - YMMV (using a basic digital scale)

With the premium converter in place:

Uninked: 15g w/out cap & 23g w/cap.

Inked: it’s the same as uninked on my scale.

The premium converter weighs 3g!

 

As an eyedropper:

Uninked: 12g w/out cap & 20g capped.

Inked: 15-16g w/out cap & 24 capped.

 

Filling System

I used this pen with the converter for two months because I was afraid of using it as an eyedropper. For this piston-loving pen user a c/c pen is a little frustrating because I run through the ink too fast. But, hey, it works fine with a converter if that’s your thing.

 

I’ve never had an eyedropper pen before. It took me two months to get up the nerve to finally put the converter away. I was worried about the acrylic staining. Brian warned me that even though the pen is not translucent the ink might make my pen appear darker when inked. (He also assured me he had some ideas should I begin to freak about staining. No freak out thus far.) The pen does look slightly darker as an eyedropper, but for me the beauty of the Yellowstone acrylic is enhanced.

 

Once I turned the pen over to being an eyedropper, I was thrilled with the ink capacity. The conversion was painless (eyedropper users already know this): remove the converter, and put a little silicon grease on the external section threads, and fill the barrel with ink. The barrel holds about 5 converters worth of ink. Nice.

 

I told Brian that this pen would be perfect if it had a built-in piston. Now that I’m using the pen as an eyedropper, I’m rather enamored of that little barrel filling ritual, and the lack of a piston has become moot.

 

Nib

The pen has a smooth 18K fine nib that writes (to me) very wet. Initially I thought the nib might lay too wet of a line, and Brian offered to adjust it to my liking. Deciding to take a week or so to write with the pen, I quickly came to appreciate the nib. I’m also using an ink that tends to be more dry (Diamine Raw Sienna).

http://i952.photobucket.com/albums/ae9/jdejh/edisonnib2.jpg

 

Cost and Value

Costs of a pen are facts. Value of a pen is subjective. I got the pen I wanted so for me that’s the value of it. The cost of the pen with a gold nib is $325. (With a steel nib it’s $250.) The value of this pen is that I can write with it for long periods without my hand tiring, the pen performs flawlessly, and the Yellowstone acrylic gives me a lot of pleasure while I’m using it.

 

Conclusion

I wouldn’t mind another one of these pens with one of the steel nibs offered. Let’s see…the pen holds a lot of ink when used as an eyedropper. It comes in a great color. It’s lightweight and comfortable in my hand. It performs flawlessly. It comes backed by Brian Gray. Cool.

Edited by jde

...writing only requires focus, and something to write on. —John August

...and a pen that's comfortable in the hand.—moi

Link to comment
Share on other sites

  • Replies 5
  • Created
  • Last Reply

Top Posters In This Topic

  • jde

    2

  • Glenn-SC

    1

  • brianw06

    1

  • Silvermink

    1

Popular Days

Top Posters In This Topic

Excellent review! I appreciate your taking us through your steps of going from c/c to ED. I would have the same fears, and it's helpful to hear your experience in such detail. Just a beautiful pen! I love the material too, as I mentioned in another of your threads. The material works well with the Huron design. :)

Link to comment
Share on other sites

Thanks, Rena - and Glenn for your inspiration!

...writing only requires focus, and something to write on. —John August

...and a pen that's comfortable in the hand.—moi

Link to comment
Share on other sites

I too had a Huron made before it was called a Huron. I had it made in Bexley Tortoise with Parker orange Caps. I agree with everything you say, it is never out of my rotation. I had the steel nib ground to a cursive italic leaning toward the crisp side. I love it

Please do not listen to me. My opinions do not count

Link to comment
Share on other sites

I've got a bit of a shortlist for my next pen when I (hopefully) get my yearly work bonus in November, and a Huron in lavender ebonite is on it. :)

http://twitter.com/pawcelot

Vancouver Pen Club

 

Currently inked:

 

Montegrappa NeroUno Linea - J. Herbin Poussière de Lune //. Aurora Optima Demonstrator - Aurora Black // Varuna Rajan - Kaweco Green // TWSBI Vac 700R - Visconti Purple

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33558
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26730
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...