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Thank YOU and it looks great. I grabbed a screen shot and enlarged it in "Paint" so that I could see it more clearly. Really nice! Wishing you lots of enjoyment with this pen and nib.

Amazing pen. I came across a resin 149 75th anniversary a few years back at a really good price but for some reason passed on it. One of the few times I regret not buying a pen.

I'm happy to share. 😊 If it is not fruitful, I hope it is at least fun! You mentioned that your writing is on the smaller side. I, too, appreciate having the option to write tiny. With that in mind, I'll suggest you take a look at Pilot's CM nib, which is found on some Plumix, Metropolitan, and Prera pens. They are dry nibs. If you want a smoother experience, the 1.1mm stub on the Monteverde MVP (a #5 Jowo nib, I believe) loses the dry feel while still providing a thinner-than-average 1.1 line. The old school Sheaffer No Nonsense Fine Italic nibs create relatively thin and crisp lines, but their edges are unforgiving when compared to the stubs above. They're no longer manufactured so you have to buy on the used market, probably from India. Sheaffer's current entry-level calligraphy sets might be just as good but I don't know. Lastly, Birmingham Pens offers Nemosine #6 0.6mm and 0.8mm stubs, but are currently out of stock. I have yet to try them but FPN seems to think highly of them and I am looking forward to giving them a try. There are other good (and more accessible) options, but the above are the thinnest that I know about.

each disguised as

Yes. Very clingy!!!!! Cheers mate.

Here it is!

Interesting to hear this about the older ones. It's on none of my older ones, but I pretty much never see a new one without it recently. I can't think of a single fountain pen reviewer who has any idea on how to judge jewelery (which actually is what fine writing is, at this price point for what you're getting it should be van cleef level). Mostly it's just a bunch of ooing and ahhing, and if they do say anything negative it will be about how it doesn't post or too many turns to uncap or some other thing that completely misses the point. Personally, I think these are a much better effort than the 75th and 90th, but they should have marbelized all the plastic for the full plastic ones (yes, I realize then they can't use the same barrel as the doue, but at this price point they shouldn't worry about that) and I really hope they mean to say enamel when they say the doue have lacquer on the caps. I also think the tone of gold and coral they use don't pair well. Maybe their champagne gold would have but hard to say without seeing it done.

That's true, I only used the cartridge because I'am still waiting on various ink bottles I have ordered online. I definitely look forward to using interesting ink colours but for now the cartridge will suffice. Thanks for your in depth advise and recommendation.

As far back as my first trip to England 27 years ago I remember asking my dad why we get so many fewer pounds for our dollars only to have to give the same number of pounds for things as we do dollars. That said, I fermenter Germany being more expensive than the USA too and now things are much cheaper there, even groceries.

in ink vials

Last weekend I got to try a Kaweco sport for the first time. Just one sentence written with it mind you. I liked it so much I came home and ordered two of them. One medium and one broad. The broad was a mistake. It was supposed to be a fine but I screwed up when I placed the order. But it sure was a lucky mistake. I’d been wanting my first broad anyway. 🤣 These things write like a dream! As good or better than some rather expensive pens.

Hello, I work with a lot of historical handwriting from the Victorian and Edwardian period and I am looking for a workbook or practice book from that era. I am not really looking for any fancy Copperplate or Spencerian scripts. As a historian, I have seen the handwriting of at least a hundred different people from the era, mostly British royalty and politicians, and I rarely if ever see anything closely resembling those scripts being used in their correspondence. Should I try Vere Foster?

I miss my Prera. Gonna ink it up again....

Amazing!!! Thank you for sharing this special piece. Such a rare and joyous occasion.

Is this a post just to "torture" moi? I have already ranted against that terrible ink color/author combo. And now, this WaPo parody? If you wanna write about "tortured poets," at least use only tortured poets. Williams, Byron, Milton, Shelley, cummings....whaaaat?

No where in the same flex level as a good dip pen....but for fountain pens, I've not run into better steel nibs than Osmia, which matched their grand gold nibs. This is of course the semi-flex and maxi-semi-flex level. 3 X tine spread vs a light down stroke. For something you can lay hands on... '22-mid-late 50's Osmia and later Osmia-Faber-Castell Supra nibs are (mostly) Maxi-semi-flex nibs and the gold ones do match the steel ones....stainless steel as far as I can tell. The Osmia nibs with a small diamond with the size number mostly in it are mostly semi-flex again where the gold does match the grand steel nib.... Those are those are real good nibs. The Osmium compound they bought from a Heidelberg metallurgical professor in 1922 was one of the better tipping of all time...or at least in that time. Had I then the 20-30% extra money above Pelikan level, I'd had an Osmia collection and not a Pelikan one. Geha was also made by Osmia/Degussa, So I do have a maxi-to go with once was 4 semi-flex 790's....Now three ,in I found out my lung doctor was a noobie fountain pen user....and sold a 790 semi=flex to him at a fair market price. Gives me something to talk to him when I visit. When one has 35 semi-flex, giving up a good balanced Geha 790 don't hurt. It could well be in I never got that book on nib geometry there are tiny bits of differences inthe nibs that I can't see with the steel nibs. Gold I guess is a slightly different alloy....could be the geometry...I don't look close enough...Grand is good enough for me. . But I have maxi semi-flex nibs from MB, Pelikan, Geha....because Degussa who took over Osmia's nibf actory in 1932, made gold ribbon wheels for Osmia....my WOG it being either a bookkeeper decision or a lazy warehouse worker grabbing the first gold ribbon wheel he could find...was why MB, Sonnecken, Geha, and Pelikan have maxi-semi-flex nibs they never advertised...either they dint' catch on or it wasn't worth changing the advertisements of their nibs. Degussa was and is the main gold and silver producer in Germany.It was much cheaper to buy a gold or steel ribbon wheel, than taking a gold bar and making a ribbon in the nib making shop. Degussa stopped making nibs in @ 2000.

As the ‘Woad’ plant has the Linnaean name Isatis tinctoria, my guess is that the ink you used for the lines that reference it might be Rohrer & Klingner’s 2021 LE ink of that name. Or maybe, just maybe Diamine Indigo (although that was Sandy1’s reference ‘benchmark’ for ‘boring’ ink).

😂 Haha! No worries there. My username is more of a statement on American culture (and my place within it) than anything else. I am not a literal man of the cloth. I do, however, enjoy practicing my handwriting with words of wisdom from the Bible, as well as proverbs from many worldwide mystic, spiritual, and religious sources. And then other times I write down quips from cartoons or whatever else I am watching. I'm not too picky. That's not a stupid question at all. I neglected pertinent details because I didn't anticipate that anybody would be replying with advice for me. My details were only meant to indicate that there have been times when my own handwriting felt alien to me and that it was frustrating when I couldn't make it better as quickly as I would have liked. I thought that maybe kealani could relate. I tried to touch upon, without saying, that one almost mourns a portion of their own identity when one's handwriting doesn't feel right or isn't as good as it used to be. But yes, when I practice underhand I turn the page 45 degrees clockwise. The 90-degree turn was the result of some advice I saw on a video, where a lefty calligraphy student was told to practice blackletter calligraphy at a 90-degree angle prior to trying Spencerian or Copperplate styles. But even with the 90-degree turn, he uses a side/underhand grip. Eventually I'll move on to some other advice, but the common denominator is to stop using the overhook, which is—by far—the most comfortable and practical option for me in every day writing. I'll eventually apply a more disciplined approach to practice, but right now I am too focused on my career, responsibilities, ever-growing list of books to read, etc. to dedicate the 30 minutes/day that I'd like to apply to improving any of my horizon-expanding endeavors. Calligraphy has been pushed back to a "when I retire" priority. At that point I'll look more into the book, tracing paper, and pencil approach that you've kindly suggested. 😊

I hadn’t ever seen Montblanc Emerald Green. My first impression of it (when seeing it on the InkSwstch.com comparison that Penguincollector posted) was that its undertones reminded me of Pelikan Edelstein Jade. One can compare those two inks side-by-side by selecting them from the (very long) lists on the pulldowns on: https://andersonpens.com/ink-tool/ Or one could choose between the various inks that are shown on the InkSwatch.com comparison tool for Mb Emerald Green, and those shown by their comparison for PE Jade, and then compare those inks using the Anderson Pens comparison tool. And of course look at a few reviews on here of whichever ink(s) one think(s) may be the best substitute(s) for Mb Emerald Green. I wish you good luck in your quest!

~ @mosh_2k7 and @Seney724: I completely agree with the comments above. Such a generous assortment of images is a generous gift. Many, many thanks! Tom K.

deleted, in I don't comprehend mm..as a tine spread.

The third ink is J Herbin Cafe des Iles. And one of them is J Herbin Ter de Feu I’m guessing.

I really like the top pen in your image @pan101

My pen of the day is the TWSBI Diamond Mini AL Silver with 1.1mm stub nib. It is filled from a sample of Kaweco Midnight Blue.