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What Pens Are You Using Today?


TheNobleSavage

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Cross Matrix (Caran d´Ache Colours of the earth safron) and Sonnet special edition (Mont Blanc Royal Blue)

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At work

Lamy Safari extra fine nib with lamy black

Camel Wood Grain medium nib with private reserve DC electric blue

 

At home

TWSBI 540 Smoke medium nib with Noodler's Cayenne

Lamy Vista 1.1 Italic nib with Noodler's GI Green

Noodlers flex pen with Noodler's Baystate Blue

 

On way

Camel Wood Grain Medium nib have bottle of Visconti Sepia waiting for it

http://3.bp.blogspot.com/_qVJOiluU9_4/THp4iGeCcpI/AAAAAAAAA2A/xh2FRE0B8p0/s1600/InkDropLogoFPN3.jpg http://img525.imageshack.us/img525/606/letterji9.png

Multa ante mortem ni moritur,

Fortes numquam mors semel

- William Shakespeare

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I just realized today how much I use my Kaweco Sport. It's always in my pants pocket regardless of what I'vegot in my shirt pocket. I think it's the ugliest pen I own, but it doesn't leak, doesn't dry up if I don't use it for a day or two, and it writes so well. I'm a convert; it works better than my Invincia stylus I use with my Ipad.

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Today I'm packin'

 

Pelikan 400nn OM (writes more like an OBB) with a 1:1 mixture of iroshi Kon-Peki and Sheaffer BB

Platinum 3776 F with 1:1 iroshi Kon-Peki and Yama-Budo

Lamy 2000 M stub with green Parker Quink

Pilot Plumix M with Baystate Blue

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Yesterday a Porsche Design Black with Pelikan Green ink.

Today at work, a Rotring Lava with Pelikan 4001 Royal Blue ink.

Tomorow, who knows?

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Parker Urban with a cartridge refilled with PR Purple Mojo. Man, I'm liking that color more and more....

Ruth Morrisson aka inkstainedruth

"It's very nice, but frankly, when I signed that list for a P-51, what I had in mind was a fountain pen."

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TWSBI 540 diamond, F nib, Caran d'Ache Sunset

TWSBI 540 diamond, 1.1 nib, Pilot-Iroshizuku Ku-jaku

Stipula FPN Passaporto, 1.1 nib, Pilot-Iroshizuku Tsuki-yo

Pilot Vanishing Point White, F nib, Noodler's Black Swan in Australian Roses

Kaweco Sport Art Amecitrin, M nib, Noodler's Socrates

Jackie
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So far today I doing all my writing with an emerald auroloide Aurora Optima, filled with a Parker Penman Emerald/Private Reserve Sherwood Green mix.

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Recife Crystal Medium point. :)

It's filled with PR Lake Placid Blue. The pen's fine, the ink's not. I'm just too damn cheap to throw it out, so I'll struggle along with it until it's done. :bonk:

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I'm in overkill mode and using...

 

1) Visconti Desert Falls with M Dreamtouch nib, De Atramentis Robert Louis Stevenson ink

2) Sheaffer Balance (vintage) with F nib, J. Herbin Cacao de Brasil ink

3) Sheaffer Intensity Medici with M nib, Sailor Jentle 2010 LE ink in purple (can't read Japanese calligraphy and forgot name)

4) Cedar Blue Parker 51 with F nib, R&K Salix ink

Tamara

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1970 mb 149 mb medium broad stub with pr lake placid blue

1972 mb 149 mb medium broad stub with omas green

Pens are like watches , once you start a collection, you can hardly go back. And pens like all fine luxury items do improve with time

 

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This week I'm using an Esterbrook (grey) with 9314M (flex nib) and filled with Noodlers Zhivago.

Nervous? No, I'm just thinking...

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Lamy Al-Star

Mont Blanc 146

Esterbrook J Transitional

Green Sheaffer lifetime warranty pures pen

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Lamy Al-Star

Mont Blanc 146

Esterbrook J Transitional

Green Sheaffer lifetime warranty pures pen

sorry Purse not Pures

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Today I have been using an Italix Parson's Essential and best of all a Sheaffer Imperial II Deluxe from the early 60's with a beautiful nib!

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1970 mb 149 mb medium broad stub with pr lake placid blue

1972 mb 149 mb medium broad stub with omas green

Pens are like watches , once you start a collection, you can hardly go back. And pens like all fine luxury items do improve with time

 

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    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
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