Jump to content

Recommendations For Flexy/wet Noodle Dip Pens / Vintage?


jameskachan

Recommended Posts

I've seen some vintage Mabie Todd & Co dip pens on ebay, but I cant seem to find any writing samples pens of this sort.

I'm looking for some recommendations for some "wet noodle" / super flex dip nibs, nibs/brands to watch out for.

I'm guessing something gold, and something pretty old.

I'd love to hear from anyone with a good solid background that can link to some examples of how much flex is possible and what to expect when getting into this.

 

Thanks!

life

Link to comment
Share on other sites

  • Replies 9
  • Created
  • Last Reply

Top Posters In This Topic

  • Scrawler

    6

  • jameskachan

    2

  • Bo Bo Olson

    1

  • balson

    1

Top Posters In This Topic

I use Hunt Imperial 101 for wet noodle work. I have a 1930s Wearever fountain pen I use it in, not a dip holder. This nib will go from a hairline to about 1/10 inch. That is a modern steel nib. It is generally comparable to a Waterman #3 of early 1930s vintage. That is a gold nib and so its hairlines are broader than the steel nib. It is flexier than my #7 Pink, but does not snap back as quickly. I also have a Banks #14 (a huge antique steel nib) mounted into an Esterbrook. That will really flex and snap back, but required much more force than the #7, which requires more force than the #3. The best gold wet noodle I have for certain types of decoration is a 1919 Swan SF1. It starts broad and keeps on putting ink down at almost 1/8 inch. The thing about these nibs is that each one is better than the other for a specific sort of work. I don't know what you want to do with the nib, so I cannot be more specific about your choices. But it is generally a good idea to play with real modern dip pens first.

Link to comment
Share on other sites

This image shows the flex available in an Imperial 101

 

http://i751.photobucket.com/albums/xx153/FPWriter/fp1.jpg

Link to comment
Share on other sites

This is a Waterman #3

http://i751.photobucket.com/albums/xx153/FPWriter/w3-2_zps4d414b1b.jpg

Link to comment
Share on other sites

I like the idea of a good nib in a random body!

 

Actually, that reminds me, I have a vintage Waterman Ideal Reg. US Pat. Off #2 Made in USA hanging around, I was originally thinking about about putting it in an Noodlers pen or something but the size wasn't right. Can you recommend any good bodies (modern or vintage) that would fit this nib? Preferably ones easy to come by.

 

Also, I think ill pick up a handfull of modern dip nibs and see whats I can do with them first.

Edited by jameskachan

life

Link to comment
Share on other sites

Great info Scrawler on those Waterman nibs, and wet noodles in General.

In reference to P. T. Barnum; to advise for free is foolish, ........busybodies are ill liked by both factions.

 

 

The cheapest lessons are from those who learned expensive lessons. Ignorance is best for learning expensive lessons.

 

 

 

Link to comment
Share on other sites

The Waterman #2 is one of my favourite nibs to play with. They are very variable, and the only way to guarantee good flex is to buy one from a merchant who has tested them. People like Mauricio come to mind. The alternative is to do as I have done which is to buy many and pass the lesser ones on. The #2 nib is small, so is difficult to fit to, say, an Esterbrook carrier, though I have done it. You end up with a tiny looking nib that way. If you plan to do surgery and put these kinds on nibs in "random" bodies, you need to consider 3 things. 1) the length of the nib. 2) the curvature of the nib and 3) the feed. A feed that will will supply a simple unflexed nib will very likely starve a flex nib and cause railroading. There are many things you can do here. You can collect feeds and try to fit them, you can open up or cut new channels, or you can buy ebonite and make your own. I have done all of these things in search of nibs, pens and bodies.

 

Fortunately, the #2 size nib was quite common, so you can fit them to many different bodies. Here is a #2 size nib in an Esterbrook SJ

 

http://i751.photobucket.com/albums/xx153/FPWriter/LILY-3.jpg

 

It is a Conklin nib, which is sem-iflex and comparable to many average Ideal #2 nibs.

Link to comment
Share on other sites

I like the idea of a good nib in a random body!

 

Actually, that reminds me, I have a vintage Waterman Ideal Reg. US Pat. Off #2 Made in USA hanging around, I was originally thinking about about putting it in an Noodlers pen or something but the size wasn't right. Can you recommend any good bodies (modern or vintage) that would fit this nib? Preferably ones easy to come by.

 

Also, I think ill pick up a handfull of modern dip nibs and see whats I can do with them first.

Contact me offline, and I will see what I can send you to encourage you to learn this art. I can probably find a dozen different kinds of dip nibs for you dating from 1930 to modern times. I cannot send any feeds or bodies to play with because I PiFd all the completed pens I made, and my workshop is in disarray because of renovations.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33558
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26730
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...