Jump to content

Why I Don't See That Many Montegrappa Supporters?


skibunny

Recommended Posts

  • Replies 50
  • Created
  • Last Reply

Top Posters In This Topic

  • skibunny

    6

  • jar

    5

  • Christopher Godfrey

    5

  • Tombstone

    4

There are many reasons such as:

 

  1. If you are paying £500+ for pen I'm sure most people would go for a brand that is far more well know.
  2. There is a large number of high end Italian pen companys which offer a similar package at a similar price e.g. Visconti, Omas and Aurora.

 

Put it this way if I had £500 to spend on a pen there are at least 5 or 10 brands that would come to my mind before Montegrappa

Edited by top pen
Link to comment
Share on other sites

Ignorance plays a big part.

 

Another reason is that Montegrappa seems to believe that the traditional Western markets (the USA, UK, Europe, Canada) will not be significant growth areas and so they concentrate on China, South America, Russia, Malaysia, the ex-Soviet Bloc nations, Africa and the Middle East.

 

My Website

 

Link to comment
Share on other sites

While on the subject of Montegrappa I do like Montegrappas dont get me wrong, but I dont like that new Sylvester Stalonne Montegrappa, sorry but its just too overly done and way too overpriced if you ask me, yullk not for me thats for sure.

Link to comment
Share on other sites

While on the subject of Montegrappa I do like Montegrappas dont get me wrong, but I dont like that new Sylvester Stalonne Montegrappa, sorry but its just too overly done and way too overpriced if you ask me, yullk not for me thats for sure.

 

I feel the same way about alot of the Montegrappa limited editions. On the other hand, I like pretty much all their their regular production pens; however, each has some feature or characteristic that puts them on my so close, but not quite list.

Link to comment
Share on other sites

I own two Genio Creativo, the Stradivari and the Modigliani. They are both smooth, trouble-free and wonderful writers, but I use them less these days because the metal sections -- combined with their heft -- cause them to tend to slip under my fingers after 20 minutes or so. Thus I am now ambivalent about them both, wondering -- since I write with all my FP's -- whether to say goodbye or keep pulling them out for short writing tasks.

 

I've not been tempted at all by the most recent offerings from MG, including the latest of the GC line, the Salvador Dali.

Link to comment
Share on other sites

While on the subject of Montegrappa I do like Montegrappas dont get me wrong, but I dont like that new Sylvester Stalonne Montegrappa, sorry but its just too overly done and way too overpriced if you ask me, yullk not for me thats for sure.

 

Yar already explained the most important part - as a short evidence: while I had no possibility to sell my "Eternal Bird" inside Europe, it took just a blink to get him sold to Asia...

There are no facts, there is no truth - just a data to be manipulated...

Link to comment
Share on other sites

I have only seen one Montegrappa that I would ever consider buying but for the price. Most are not that appealing to me and I suspect many feel the same.

Link to comment
Share on other sites

I have never seen a Montegrappa I really like. Also, I'm not sure I've seen a Montegrappa I would regard as good value for money, even if I did like it.

However, I am not against the brand per se. The Elmo & Fortuna pens aren't a shape I like, the Parola looks like a bit of a kit pen with its metal thread insert - as do the Espressione pens. No. The 'House' style is just one which doesn't attract me at the moment. I tend to prefer the current Onoto & CS house styles.

 

Regards,

 

Richard.

Link to comment
Share on other sites

Ignorance plays a big part.

 

Another reason is that Montegrappa seems to believe that the traditional Western markets (the USA, UK, Europe, Canada) will not be significant growth areas and so they concentrate on China, South America, Russia, Malaysia, the ex-Soviet Bloc nations, Africa and the Middle East.

In Malaysia they have pull-out their dealership also. The nearest service centre is Singapore.
Link to comment
Share on other sites

I have never seen a Montegrappa I really like. Also, I'm not sure I've seen a Montegrappa I would regard as good value for money, even if I did like it.

 

Richard, allow me to proof you wrong:

 

http://www.pbase.com/image/154445095.jpg

 

http://www.pbase.com/image/154445079.jpg

 

http://www.pbase.com/image/154445058.jpg

 

At first let me say: I do not care about ridiculous list prices. When I see the 710,- Euro for a Montblanc 149 here in Germany, it takes me a couple of minutes to catch my breath, because I could not stop laughing.

 

But allow me a couple of words regarding the shown pens:

 

- the first is a Nero Uno. It's a cartridge pen in the area of the Duofold Centennial, the LeGrand Traveller or similar pens. Yes, it's not like all the others - but do you want what all the others have?

 

- the second one is a Historia - Ebonit feed, made of Celluloid. Most of the parts made by 925 Silver...

 

- the third is an Extra 1930 - and yes, the gold is real gold, 18 k to be definitive. Value for money? No problem at all...

 

So what do you think about your sentence I quoted?

 

;)

There are no facts, there is no truth - just a data to be manipulated...

Link to comment
Share on other sites

Tombstone,

 

The lower pen (Extra 1930) with the segmented Greek Key pattern is evocative of a Kaigelu 323 I bought (Review https://www.fountainpennetwork.com/forum/index.php?/topic/222864-kaigelu-323/ ). I was happy to pay £11, and may have considered it worth it up to £75. Any more for a pen looking like it would not have left me happy. They both look like £75 pens to me.

The Historia, I'm sorry. I just don't like the shape. I'm sure there are nicer looking materials than the 'solidified baby sick' shown, but the overall design does nothing for me.

The Nero Uno design has a lot of flash and bling. It's beginning to look as over the top as a cheap Chinese pen. Just tries too hard in my view.

 

As I said in my original post, I don't much like the house style at the moment, and I doubt if it would be possible to make an Extra 1930 for £75 to make it adequate value for money for me.

 

Regards,

 

Richard

Link to comment
Share on other sites

The lower pen (Extra 1930) with the segmented Greek Key pattern is evocative of a Kaigelu 323 I bought (Review https://www.fountainpennetwork.com/forum/index.php?/topic/222864-kaigelu-323/ ).

 

Ah, ok - but if that is the case, we better stop discussing. I respect your opinion, but I do not have to support it.

There are no facts, there is no truth - just a data to be manipulated...

Link to comment
Share on other sites

The least expensive Espressione I have seen is 295USD...Come on, you can get a far better looking and better pen for that kind of money.

Link to comment
Share on other sites

I rarely buy them new in shops (you do not find them in the area where I live), so I can just judge the price level of "used" or "NOS" - and in that "second market" I love these pens...

 

But regarding the Nero Uno from my point of view even the list price is not that much "off track"...

Edited by Tombstone

There are no facts, there is no truth - just a data to be manipulated...

Link to comment
Share on other sites

My New Esspresione in Blue Cobalt look very ellegant and attractive and is of a high quality. The steel pen, as the steel pen of Visconti VG, are both smooth and well tuned. I really love Montegrappa regular FPs having a moderate price (not equally I like the special editions which seem to me a bit kitschy). Well, I can admit that NE is a heavy pen capped (around 40 gr). I agree that the marketing from Montegrappa is somehow less present in Europe and is directed to the fashion items (at least in Romania there is only one Montegrappa shop, with an elitist offer). But being in Catania (Sicily) some months ago, I saw for the first time a Florentine Montegrappa and I fell in love with it.

Edited by Alex2014
Link to comment
Share on other sites

I was looking for a heavier pen, and I spent literally months on-line, looking, looking. My desires became clearer the more pens I saw. For instance, I realized that I didn't like cigar shaped pens at all, that I want the pen to be one diameter top to bottom. The more silver pens I saw, the more I liked them. Finally, I discovered the Montegrappa silver pens, and I felt I was right in my sweet spot. The big, all-sterling Reminiscence, pre-Richemont, was my baby, and through the kindness of a FPNer, I found one immediately in a Martini auction.

 

So I didn't approach the brand as a brand; rather, I decided what kind of pen I wanted, and that turned out to be a particular Montegrappa. I have since looked through many more Montegrappa models that I really, really hate, like the Stallone Chaos silliness. They give the marque a bad name.

 

My pen? Perfection, with a wonderful F nib. The Greek key engraving around the octagonal pen is handsome and discreet. Price +/- $400, shipped FedEx. Me? Happy.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33563
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26750
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...