Jump to content

Diamine Evergreen


smiorgan

Recommended Posts

This is my first review here, but it's also on my blog. Have omitted some photos.

 

Subjective: why I like Diamine Evergreen

  • it appeals to me from a wet and a dry pen, fat and thin lines
  • nice and calm like a mid-grey, but much better contrast and more interesting with the green
  • warmer and perhaps not as in-your-face as some other green-blacks (e.g. Diamine Sherwood) 
  • the benchmark I would use for lubrication, flow, and ease of cleaning
  • great VFM, UK manufacturer

 

(Relatively) Objective: my Review

 

Pens

  • Pelikan M200 Fine
  • Lamy Safari Charcoal with OM nib (dry writer)
  • Lamy Safari White with OB nib (wetter writer)

These are my "workhorse" pens, each with their own issues. The Pelikan and the broad Lamy can be hard starting with some inks and papers, and the Lamy Broad can also really drag on paper without lubrication. The Lamy Medium is much drier than the others, and really shows up some inks.

 

Paper

This ink changes colour over 24 hours from a sort of blue/green-black to a proper evergreen -- the scans are of the final colour after 24 hours (top) and just-dried (bottom).

 

Clairefontaine paper -- top is after 24 hours, bottom is just dried

 

 

 

Copier paper -- top after 24hr, bottom just dried 

 

Filofax Flex -- Just Written 

 

 

Filofax Flex -- 24 hours 

 

 

The Clairfontaine paper can drag a bit, and the glossy surface can punish hard starters. I had neither problem with Evergreen. Printer paper feathers more but still no bleeding. Filofax flex cream paper is for a bit of fun to show how cream paper can really affect the ink. The ink looks like teal, verdigris or blue-black on this paper. Suspect it would do the same with other cream papers. All in all pretty good. I think the ink looks best on white paper, and for cream I'd choose a proper grey like Diamine Grey.

 

Bleeding, Feathering

 

 

Doesn't really bleed through any papers I tried, though threatens to with the fat Safari nib on printer paper. Feathers a bit with the Safari nibs on cheaper paper, but the Pelikan is very well behaved. Shows through a bit on thinner paper, but doesn't affect legibility. I've also used the Charcoal Lamy with Field Notes which tend to be hit and miss with fountain pens. With this ink everything is legible, no bleeding, feathering or show through. The line from the Pelikan is a little tidier, so I think that's an effect of the nib, not the ink.

 

Lubrication and Flow

Great. A real pleasure to write with. The fat Lamy OB glides over papers. Pretty much a benchmark fountain pen experience, even with the dry Lamy.

 

Water resistance

Good luck with that. If this ink left the tiniest residue I'd be happy, but any kind of soaking will make writing illegible.

 

Cleaning

Great, cleans up quickly, doesn't hang around (er, see above).

 

Summary

This ink ticks a lot of boxes for me, both colour-wise and with performance. Works in several different pens, on several different papers, and colour is to my liking in all cases.

This is pretty much the benchmark I would use to compare other inks. Not all inks I have (Diamine and other manufacturers) are as lubricating, or easy to clean, or look good both wet and dry.

However, there is no water resistance. That's a lower priority for me than the actual writing experience and my ability to read notes I made a few days ago (anything important gets transcribed).

 

Link to comment
Share on other sites

  • Replies 5
  • Created
  • Last Reply

Top Posters In This Topic

  • smiorgan

    2

  • Eclectica

    2

  • The Good Captain

    1

  • benjitzu

    1

Top Posters In This Topic

Hi Smiorgan,

 

Nice review thanks.

 

Looking at the close up on a work monitor, and reading your description, it would appear that the colour morphs blue - green over time. The extent more pronounced with some pens than others.

 

I am guessing that this monitor is not adjusted particularly well, but would be interested to know if the initial blueness appears more blue than green, or does it appear initially green and become greener?

 

(I know the brain works in many different ways to discern colour depending on surroundings, contrast, light quality, etc., so it makes for an interesting time discerning colour especially when on a boundary condition).

 

Cheers,

E.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
'Perfection may be transient, but then so is everything.', MC

'All that a great power has to do to destroy itself is persist in trying to do the impossible.', Stephen Vizinczey

Link to comment
Share on other sites

Hi Smiorgan,

 

Nice review thanks.

 

Looking at the close up on a work monitor, and reading your description, it would appear that the colour morphs blue - green over time. The extent more pronounced with some pens than others.

 

I am guessing that this monitor is not adjusted particularly well, but would be interested to know if the initial blueness appears more blue than green, or does it appear initially green and become greener?

 

(I know the brain works in many different ways to discern colour depending on surroundings, contrast, light quality, etc., so it makes for an interesting time discerning colour especially when on a boundary condition).

 

Cheers,

E.

 

The blue is barely detectable on white paper, even when freshly laid down -- so on white, I'd say very dark green, lightening as it ages. This one is a definite grey-green but as it gets older the yellow comes through a touch.

 

However for the cream paper it's a different story -- laid down the colour is definitely blue, much like Sheaffer Skrip Blue-Black. I don't know if that's a peculiarity of Filofax Flex paper (which is strange stuff -- don't recommend generally -- I just bought a flex A5 holder from TK Maxx, and I use it for Clairefontaine exercise books). I guess the yellow in the ink is interacting with the cream paper somehow.

 

I'll see what it looks like on Basildon Bond and some others, when I have time.

Link to comment
Share on other sites

Interesting - many thanks. :)

 

Re - cream paper, yes I have noticed how cream paper seems to alter the colour of the ink, but could not say if it a result of visual processing, or reaction of some kind.

 

Cheers,

E.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
'Perfection may be transient, but then so is everything.', MC

'All that a great power has to do to destroy itself is persist in trying to do the impossible.', Stephen Vizinczey

Link to comment
Share on other sites

I really like this ink - one of my favourite Diamine 'greens'. Easier to wash out of pens than its similar companion, Diamine Racing Green but of course that one is a little harder to obtain. A great ink and a good review.

The Good Captain

"Meddler's 'Salamander' - almost as good as the real thing!"

Link to comment
Share on other sites

  • 2 years later...

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now


  • Most Contributions

    1. amberleadavis
      amberleadavis
      43844
    2. PAKMAN
      PAKMAN
      33558
    3. Ghost Plane
      Ghost Plane
      28220
    4. inkstainedruth
      inkstainedruth
      26730
    5. jar
      jar
      26101
  • Upcoming Events

  • Blog Comments

    • Shanghai Knife Dude
      I have the Sailor Naginata and some fancy blade nibs coming after 2022 by a number of new workshop from China.  With all my respect, IMHO, they are all (bleep) in doing chinese characters.  Go use a bush, or at least a bush pen. 
    • A Smug Dill
      It is the reason why I'm so keen on the idea of a personal library — of pens, nibs, inks, paper products, etc. — and spent so much money, as well as time and effort, to “build” it for myself (because I can't simply remember everything, especially as I'm getting older fast) and my wife, so that we can “know”; and, instead of just disposing of what displeased us, or even just not good enough to be “given the time of day” against competition from >500 other pens and >500 other inks for our at
    • adamselene
      Agreed.  And I think it’s good to be aware of this early on and think about at the point of buying rather than rationalizing a purchase..
    • A Smug Dill
      Alas, one cannot know “good” without some idea of “bad” against which to contrast; and, as one of my former bosses (back when I was in my twenties) used to say, “on the scale of good to bad…”, it's a spectrum, not a dichotomy. Whereas subjectively acceptable (or tolerable) and unacceptable may well be a dichotomy to someone, and finding whether the threshold or cusp between them lies takes experiencing many degrees of less-than-ideal, especially if the decision is somehow influenced by factors o
    • adamselene
      I got my first real fountain pen on my 60th birthday and many hundreds of pens later I’ve often thought of what I should’ve known in the beginning. I have many pens, the majority of which have some objectionable feature. If they are too delicate, or can’t be posted, or they are too precious to face losing , still they are users, but only in very limited environments..  I have a big disliking for pens that have the cap jump into the air and fly off. I object to Pens that dry out, or leave blobs o
  • Chatbox

    You don't have permission to chat.
    Load More
  • Files






×
×
  • Create New...